... whether or not I got into Oxford University. After all, it's been nearly a week since I got the results and I have yet to write a blog full of simpering self-congratulation or boisterious self-loathing, or a weird combination of the two. Contgratu-Loathing, perhaps. Or self-self. I have decided to clear up this state of affairs by writing this post in which I inform everyone who doesn't know how I did of the decision of the nice people at Oxford University. Although, thinking about it, everyone who I know in real life (AKA actual real people who I like) already knows the answer, as I have already told them. And if you read the comments in the previous post of this blog, it's pretty obvious how I did.
So actually this post is aimed at people who have never met me and who do not read this blog. To be honest, if somebody makes a point of not reading this blog, I assume that they'd be some kind of gibbering retard, happily sitting in a padded room somewhere, eating flies and writing scientific thesii on the wall with fecal matter. And such people have no place even
hearing about Oxford University. Scum.
To to be honest a simple blog in which I just said "I GOT IN YAY" or "I DIDNT GET IN BOO" is a waste of time, as it would be lost on your people. I'd better write a long rambling story about the interview procedure instead so that people who weren't following me around all day with a camera will be able to see what was goin' down. I tell you, there was some dark shit goin' down at that college. Hoo boy.
First things first, I was applying to do English Literature at Schmalliol College (the name of the college has been changed in case a don happens to Google the college, finds this blog, gets offended, hunts me down like a dog and bludgeons me to death with a volume of Keates). Schmalliol College is, I found out following my application, like the hardest college to get into in the history of Oxford. To be honest I didn't even do any research on it, I only wanted to go because I'd been to an open day and the lady taking me on a tour told me a fun story of how the Schmalliol Collegians vandalised the boat house of their neighbouring college, Schminity. It amused me and I thought "Why not here's as good as any other place" (NB: I did not voice this point of view in the interview).
FLASH CUT FORWARD to the day of the interview. I rolled up to Schmalliol, smokin' a doobie, clutching my bag and planning my line of attack. You see, I was pretty sure that although there were likely to be a
few nerds who knew more about books than I did, there'd also be loads more who didn't begin to touch my intellectual superiority. Thus the plan was to find somebody not as good as English as me and to essentially make them my bitch. This would then give me armour against the people who knew more than me. So if Nerd started talking about, I don't know, 15th Century Poetry or something and Bitch said "Wow I haven't read any of that", I'd be able to go
"YOU MEAN YOU HAVEN'T READ ANY 15th CENTURY POETRY?", look at the nerd and roll my eyes before moving the conversation onto
Magic Realism. I like Magic Realism. I can talk about it at length. Do you want to hear about
Magic Realism? No? Well fuck you then. Magically. And realistically.
Before finding such an unfortunate specimin, I went up to the room, where literally my
first action was to jump on the bed and crack my head against the wall. I rolled about in pain for a bit, before sitting on the bed and staring blankly at the cupboard for about ten minutes. It was dead good. Then I stood up, cracked my knuckles, tipped my hat (NB: metaphorical. I was not wearing a hat) and headed down to the JCR to find a mate. For any idiots out there, JCR stands for 'Junior Common Room', it is where we young student dudes hang out and shoot the breeze; they have such quaint names for things in Oxford.
To cut a long story short, I ended up gazing longingly at the huge group of people who all seemed to be best friends with each other, before quietly sitting on a sofa and wondering what the fuck I was meant to do. This went on for about ten minutes until I panicked and went to get coffee with my girlfriend, who was to be honest like a ready made Oxford bitch - she was ALREADY my friend AND she knew less about Literature than me, thus making her a perfect foil for my foibles! Unfortunately she fucked off to learn some Geography or something and I had to go back to Schmalliol to find myself a Polonius. At first it didn't go brilliantly; I kind of perched on a sofa and listened in on people's conversations until I heard a cheery northern voice. I looked round and saw an odd sight. A northern dandy (replete with cravat, long coat and boots) was having a deep conversation about Dostoevsky with some huge hulking asian-looking brer. I thought 'Ah this is my chance, time to turn on the Phipps charm' and did a very subtle conversation-joining maneuvre; basically I looked at them and slowly leant towards them until they were forced to acknowledge me.
I joined the converation and mentally cracked my knuckles - I needed to find the dumber of these two and mercilessly hound him until he accepted me as his literal God. This did not happen and both of them blew me out of the water with their skillz. I mean, I thought that I knew
something about literature but HO - LEE SHIT. Literally the entire conversation was them saying long words about rhyme meter and old poets and Shakespearian verse and Dostoevsky's childhood. "I READ CRIME AND PUNISHMENT! It wasn't that good!" I proudly ejaculated when big D was mentioned, and they both gave me withering looks which sent me scurrying back to my fallback position of 'nod wisely and positively backchannel everything they say'.
We moved into the dinner hall and a girl joined in the conversation. She was blonde and called Prune or something. "Aha," I thougth to myself "A chance to prove myself a true king of the Books; time to turn on the Phipps charm". Unfortunately the Northern Dandy got to her first and started a conversation about Sylvia Plath, which now I wish I had fucking listened to. "So do you prefer Sylvia or Ted?" he asked. "Well I always thought I'd prefer Sylvia and hate Ted," she mused, "But I did read a bit of Ted the other day and to be honest some of his structures are
incredible". I was like wtf who the hell is Ted why have I not been informed. To be honest the entire first evening was me staring blankly at highly verbose, knowledgeable people, with my mouth slightly ajar, and the letters
W T F floating above my head, along with a question mark and a burnt-out lightbulb. If there had been a camera crew following me around, I would have looked directly at the camera and made a kind of bemused slightly angry confused face. Like s:-s or >':(
Actually, I think that the entire Oxford admissions procedure would make a really groovy reality TV show. Think about it - you have your cast of hot young things all staying in the same building. You have the inevitable drama of them all competing for an amazing prize and the tears and heartbreak that come from realising that they might have let themselves, their school and - yes - even their country down. Hell, there was a pub quiz on the second day so we were all split into different factions - I was in a team called "Fenglish Park" (a name that was a combination of English, Fine Art, and Linkin Park (?)) with a bunch of nice people who were in the same "What the fuck am I doing here" position as me. You even have mini challenges in the shape of the interviews themselves. And viewers could vote off the uglier contestants. This idea was what was bubbling inside my skull when the rest of the gang were reciting Shakesperian sonnets LEARNT BY HEART and deciding on their favourite rhyme meter (not a joke, the Northen Dandy - who later turned out to be safe blud - actually asked the question "What is your favourite rhyme meter?" and got annoyed at the lack of immediate response; he
claimed that he was joking afterwards, but I also got the impression that, had someone responded, he would have been fully equipped to have a lively debate on the merits of the iambic pentameter vs the dactylic hentameter).
Actually, thinking about it, I have spent this entire blog so far describing how woefully in over my head I was, but I have yet to get to the most important bits of all - the INTERVIEWS THEMSELVES. DUH DUH DUHHHHH. They were ok. Well the two at Schmalliol were fine, with lovely lovely people, discussing an easy poem (ah, the Holocaust, eh? Elegy, you say? SCHWINGGGG) and, yes, a nice talk about the magic, the beauty, the masterpiece of fictional symmetry that is
MAGIC REALISM!!!!!!!Unfortunately, my final interview did not go so well. I got referred to St John's college, famous for being the college of current British PM Tony "Butters" Blaire. Schmalliol is best known for being the college of famous British legend Boris "Crumbs" Johnson. Use that as you will to extrapolate the relative ethoses - ethii? - plural of ethos - of the two colleges, but basically my St John's interview consisted of me getting bent over a chair and gang raped for 45 minutes. With a cactus. Metaphorically.
I am not going to lie, there were a few problems with this interview. The first was that I'd expected to be interviewed by a nice grandmotherly old woman. However when I entered the room I saw that there were in fact TWO OTHER GENTS in the room, including one bald guy who asked all the questions and spent the entire interview BLAM BLAM BLAMMING me with hard questions.
The second question revolved around my complete ineptitude with poems. See, I'd been given this poem by famous ladypoet Sylvia Plath. Unfortunately, her name was not featured on the poem itself. Had it been, I might have recalled the snatches of the conversation between the Northen Dandy and the Blonde Girl and would have remembered that Platthy had some kind of problem with men. Unfortunately as it was I totally misinterpreted the poem and decided that a mournful elegy about coming to terms with a father's death by cleaning an old statue was actually about a man cleaning a ship, and was thus a paean about paganism and the futility of God. BUT GOD-DAMNIT IT WAS A CRAP POEM ANYWAY the central metaphor made no sense and as it turns out, Plath's father was later lost at sea so I think that my interpretation worked just as well IF NOT BETTER. But unfortunately as soon as I brought up my idea they were like no get out you silly boy.
The other problem came when I decided to cuss the Gothic. I'm sorry to all you goths out there, but Gothic Literature is some of the most uninteresting simplistic emotionless crap I have ever read and I was annoyed that I'd wasted two years of school studying fricken Dracula and Frankenstein and being beaten across the head with imagery - OH LOOK IT'S NATURE V NURTURE! IMAGERY! BLOOD! I happened to voice this point of view in the interview, which led to a ten minute reaming in which the tutors tried to think of something interesting about the Gothic, failed, and thus quizzed me on Mary Shelley's home life instead. How the fuck do I know who Mary Shelley's mother was? I guessed that she was a human rights lawyer (predating lawyers and human rights by like a century) which made them laugh nastily and write mean things on their clipboards.
They then used the fact that I knew no background information about Mary fecken Shelley to prove that the Gothic was somehow much smarter than it actually was but at this point I was pissed off and I was having none of it so I was like 'Nuts to you baldy, the gothic is crap, the writers just adopt a theme for the day and make up some dumb monster to personify it' which kind of shut him up so he went onto discussing The Tempest.
I DON'T CARE ABOUT THE TEMPEST. It's like Shakespeare's randomnest play, makes no sense, and just gives the main character magic powers which lets him do whatever he wants when it is thematically convenient. I would rather talk about Hamlet which at least has characters who can't make demons appear and chase their enemies away every ten seconds. Unfortunately they were dead set on The Tempest, and in particular the Masque - a random trippy scene in the middle of the play in which a load of random trippy goddesses appear on stage, dance about singing about harvest, then fuck off again. I know less about the Masque than I do about Mary Wollstonecraft (Shelley's mum - so we've all learnt something today!). I didn't even read it when we did the Tempest as the teacher was like 'You don't need to read this it will never appear in any exam' THANKS A LOT MISS.
The Tempest bit of the interview climaxed with the guy staring me dead in the eye, putting on a high pitched squeaky voice and saying - "Why do you prefer Caliban to Ariel? Do you empathise more with him cos he's ugly? Ugly? Do you want to be ugly? Ugly? Are you ugly? Why do you prefer the ugly one? I love thee, master. I love thee. What do you say to that?"
I pretty much just stared blankly at him and mentally cross St John's off the list of colleges I am likely to get into.
So in conclusion, that was my Oxford interview procedure. So how did I do? What did the letter say? Did I get in? Or am I scum? In or scum? IN OR SCUM? To be honest I am bored of typing now so I'll tell you the answer:
IN. Not scum. You are scum. I am not. I am in.
Yay.
I think it's a mistake, to be honest. A typo. There's probably an English Literature genius called Tuomas Phelps sitting at home crying now with his
Never ha ha not ever you fool you think we'd give a place to a moron like you? letter clutched in one pudgy fist. Ho hum.