Well, another Halloween has gone by, and this year I've really gone all out to celebrate this pointless American tradition. I carved possibly the world's most wussy pumpkin (it has this big round smile and some big round eyes and is basically begging to be baseball batted), I bought a nice bunny mask and went to a fascinating social event or, as I believe the young people of today refer to them, a 'party' (I then got hammered on cheap wine and lost two hours of my life, my phone, and my mother's special sunglasses). Hell, I even had some "trick or treaters" coming to my house, whom I ignored. But most of all, I celebrated Halloween in the most traditional way I could: by attempting to watch every shitty horror film that came on TV in an attempt to be in any way scared. This is difficult, as I only have five channels and, uh, a life, so I was unable to catch all of them. On the other hand, I also managed to watch a random DVD from my collection, a docu-drama about the perils of drinking, an advert for a documentary that I do not intend seeing, and a West-End musical. In my book, these still count as 'shitty horror movies on TV'. The following contains spoilers, so if you don't want the end of
The Producers (they go to jail and get killed and eaten by the inmates... its a bit of a downer, really) I advise you not to read this.
Evil Dead III: Army of DarknessThis I watched on DVD because it is far too cool to be shown with ad breaks. The first thing I noticed is that the DVD made a really nasty grinding whirling sound when I inserted it into my computer. It still played fine, so I was forced to turn up the sound really high to overcome the problem. This means that my entire house was literally shaking with the bass of the various chainsaw revs, screams of the undead, and the creaks of catapaults.
The plot is simple enough to understand, and you don't really need to see the first two films to get it. Basically, there's this guy (Ash). And he fights zombies. Except they're not exactly 'zombies', per se, but more like possessed humans who go all crazy and start mutating madly. When the undead want to possess you, you get chased by the camera. Fortunately, the undead force is unable to break through doors. Or go through the tiny cracks in doors. And can be outrun on foot. There's not much you really need to know to understand the plot. Oh yeah, Ash has a chainsaw for a hand, because in the previous film his hand got possessed by a demonic force and he was compelled to cut it off and replace it with a handy chainsaw. And also, he's been transported into the Middle Ages by an evil book thats bound in human skin, and he's seen as a chosen one for the many villagepeople. But other than that, no, you don't really need to know anything.
This film is so awesome. Seriously, thats the ONLY word that fully describes the amazingness of this film. But I'll try, using a badly thought out analogy. Right, imagine you need to pee really badly, yeah? And your bladder is really full. Except, instead of PEE in your bladder, you have IMAGINATION. Pure imagination-juice. And when you pee, instead of a toilet, you pee into a MOVIE CAMERA, and all your imagination turns into IMAGES ON A SCREEN and it's just amazing.
Basically, the moviemakers take the concept of 'well, it's magic so anything can happen' to ludicriously, deliriously bizarre extremes. The best sequence in the film involves our hero running into a windmill then accidentally breaking a mirror. Then all his little lilliputian-like reflections jump OUT of the glass and start to beat him up. One jumps into his mouth, so he decides "I know, I'll drink a kettle full of scalding hot water and boil him to death", which he does. Then he marches about singing "London Bridge is falling down!" and stepping on them. Then his evil twin randomly grows out of his shoulder and beats him up. So Ash shoots his twin in the face with a shotgun, chops him into pieces, then buries him. He then goes on to getting beaten up by three books and a bunch of skeletons. More plot twists come later with Ash's amazing steam powered tank-car (in a lucky twist of fate, he managed to bring a book on "How to build a steam engine" back in time with him), a giant army of claymation skeletons that beat the shit out of the skeletons in
Pirates of the Carribean, and Ash sleeping for 600 years and growing a huge beard.
I don't want to damn this film with faint praise, so I'll say that Evil Dead 3 is possibly the best film ever. And if they think that they can remake Evil Dead with Ashton Kutcher, I will personally be somewhat miffed and possibly express my disappointment with their choice of actor on an internet message forum of some kind.
Scary? Hell no, I spent most of this film pissing myself with laughter, mostly at the sheer lunacy of the plot. This was intended by the film-makers. Evil Dead 3 is NOT a serious horror. I realised this pretty early on (at about the point when they throw a random peasant into a pit and a massive geyser of technicolour blood spurts out).
Best bit? The little men. And I also liked the bit when Ash says "You ain't leading nothing but Jack and shit, and Jack just left town," to some random soldier.
Body count: Lots and lots of random soldiers. Nobody important, though.
Ed GeinChrist. Right, this film is about a guy named Arnold Unklebutter (NO, JUST KIDDING, HIS NAME IS ED GEIN*) who spends his time digging up and killing women for their tasty flesh and their attractive skin. Apparently the characters of Leatherface and Buffallo Bill were both based on Gein. Which is odd, because he is one boring motherfucker. Basically, he spends his time buying antifreeze, going to dinner with old ladies, and talking to his dead mother. Perhaps Norman Bates was based on him too. I dunno. I guess that the Texas Chainsaw Massacre guys did a very loose interpretation of Gein's life, in which he runs around with a chainsaw killing people and bellowing. NB: Ed Gein doesn't kill ANYONE with a chainsaw. He uses a crappy gun which fails to immediately kill the women BOTH TIMES. I mean, christ, Gein, you have a perfect shot at their backs and you manage to hit the non-fatal place TWICE. You stupid hillybilly. Then he whinges a lot. "Momma, momma" he says. SHUT UP, GEIN, AND KILL SOMEONE PROPERLY.
I reckon with this film, the director said to himself "You know what, Billy, I'm going to totally de-sensationalise this story and try to avoid excessive gore and excitement". The problem with this tactic is that Ed Gein isn't the most exciting of people, so taking away the excitement puts this film on an excitement level comparable to
X-Treme Paint Drying X-Treme Exolution X.
This was a crappy film. They cut every damn corner. I mean, they even had CGI FLAMES for God's sake. Surely they could've afforded to set fire to some grass? But nooooo, they had to get some programmer to draw in some flames around the brother's body. Oh yeah, Ed Gein also kills his brother, in possibly the least shocking murder scene in cinema history. What. A. Gay.
Scary? Hell no. It's hard to be scared of some retard hillybilly who stammers every word, only eats Pork n Beans, and asks old ladies out on dates. But on the other hand, there was ONE scene, of Ed randomly dancing about in a suit made entirely of woman-skin, that gave me the shivers. But then there was another bit when the mother's head randomly appears on a talking bush that made me choke on my sourkraut with laughter. So overall, no, it wasn't scary.
Best bit? Well the bit with him in the skin suit, duh. But there was also another funny bit. Ed kills this woman and cuts up her body. Cut to: Ed having dinner with a random family. "Ed, this meat that you brought for dinner is extra tender," says the woman. THEY ARE EATING OLD LADY. I dunno, it made me snigger.
Body count in this film: 6 old people. No great loss there.
Halloween H20: 20 years laterHalloween water? The name is stupid. There is no water in this film. Quite a lot of blood, though. Basically, in this film, Micheal Myers (annoying, not the comedian but a crazy person wearing a gay white mask) tries to kill Jamie Lee Curtis. I don't blame him, after watching
Virus I think we've all felt that compulsion. He also kills some random teenagers and tries to kill Ashton Kutcher (perhaps he's trying to stop the possible Evil Dead remake? GO MICHEAL!).
Unfortunately, this film ends with a bit of an anticlimax. The entire first three quarters are people talking about Micheal's return ("Micheal might return!" "That was 20 years ago!" "Could Micheal Myers come back?" "Look, isn't that Micheal Myers?" "There is absolutely no way that he could possibly come back"), then when he actually DOES come back, he lasts like twenty minutes before being beheaded by some skanky 40 year old Jamie-Lee. Yes, Myers dies at the end of this film (I haven't seen Halloween Ressurection and so am going to ignore it). I guess he wasn't that much of a surprise... he had it coming. Haven't these teen masked killers ever realised that, no matter how many times they return, they ALWAYS LOSE? Surely that'd stop em. But nooooooooo. They KEEP RETURNING. So, fuck it. Mike is a bit of a pussy in this film too, only killing 54% of his possible victims (I worked this out using a calculator and a bit of paper). On the other hand, this film gains points for having a 'really really fucked character', in this case, some random teen. "I'll be right back" he says, then gets into a dark, broken looking Dumb Waiter and travels up to the kitchen alone to find himself a corkscrew.
SCREWED.
Scary? No, seeing as Myers looks retarded in his mask with his fluffy hair. And he keeps falling off things. Dipshit.
Best bit? A girl also climbs into the Dumb Waiter, and gets stabbed in the leg. She then tries to climb out of the Dumb Waiter and BAM the rope gets cut and it breaks her leg in two. She's then crawling along the floor when BLAM in comes Myers with his big knife o'doom.
Body count: 6, not including Jamie-Lee or Ashton, so it loses some points.
The last half of Silence of the LambsThis film is about this Ed Gein ripoff loser called Buffallo Bill, and The Only Man Who Can Stop Him, a crazy cannibal psycopath called Antony Hopkins/Hannibal Lector. This film features possible the most fucked character of all time, the FBI director who's been teasing Hannibal the entire film. And suddenly, BLAMMO**, there's Hannibal, wearing a nice white hat, walking down the road behind him. LIKE ARGH. That's what'd I'd say if I was that FBI director. And also those cops who go into Hannibal's cage are pretty screwed, really.
"Ok Mr Hannibal we're coming in, please don't break out by stealing a pen and picking the lock on your handcuffs whatever you do."
"Fine with me... AHA! I LIED! THAT'S EXACTLY WHAT I DID DO! NOW YOU'RE IN TROUBLE!"
"Oh, BLAST. Now you're eating my face off!"
Hah, rinsed. Serves you right for BOTH going into the cage.
Scary? I'd forgotten how totally non-scary this film is. The only unnerving thing was when Hannibal finally escaped. You'd seen this guy behind bars for the entire film and suddenly... OH NO! He's suddenly free to eat our faces. But Buffallo Bill is a worthless pussy (the bit when he ducks behind the door to escape Clarice is actually hysterical) and his victim is annoying. "It rubs the lotion on its skin or else it gets the hose again"... do we ever see the hose? I don't know, I can't remember, I didn't see the first half of the film.
Best bit? Hannibal kills two people gorily then continues to air-conduct to classical music. What a guy.
Body count: At least five, with many more referenced and about to happen. Mmm, gore.
LeglessThis wasn't really a horror film, per se. More like an informative and relevant docu-drama (what the fuck is a docu-drama?) about the current drinking situation in Britain today. I don't like informative and relevant things on tv. It reminds me too much of watching episodes of
Grange Hill which were about 'relevant and informative issues that affect the youth of today', and featured
The Internet and
Drugs and
Mobile Phones. You can't set out to make something relevant. It's impossible. Relevancy ususally happens as an afterthought. If relevancy becomes the whole purpose of the fucking film, then there's NO BLOODY POINT, IS THERE?
This film was about alcohol. Apparently it was meant to give a totally unbiased and balanced view of the British drinking culture. Here were some of my high-points:
- An evil drinks promoter dancing about a stage talking about his new ULTRA VODKA-EY alcohol and cackling manaically.
- The young innocent boy having his first sip of alcohol and suddenly turning into a raving lunatic. No, really.
- References to the nice paramedic lady being beaten up by the VIOLENT DRUNKEN YOUTHS OF TODAY.
- The innocent girl who says 'I shalln't be drinking tonight' being mocked by her friends and treated as an outcast.
- Many many people getting pissed then collapsing in pools of their own vomit.
- A hospital waiting room filled with victims of the ongoing alcohol warzone of our fair streets.
- A guy with half a pint-glass sticking out of his head after a brawl.
- A drunk girl turning into an evil, violent psycopath and threatening to kill a paramedic.
- You know the young innocent boy mentioned earlier? Well he gets drunk and then PUNCHES HIS FRIEND. WHO FALLS INTO A COMA. So young innocent boy has the rest of his life ruined by the evil evil booze.
- The innocent girl being sexually attacked by two drunkards.
- My slow realisation that the only people to not have their lives ruined by the night were the ones that chose not to drink any alcohol.
Yeah, so really subtle stuff there, lads. And just in case we've missed your implied point, (alcohol is evil and should never be drunk under any circumstances whatsoever) there's always the closing shot, in which a logo for an alcoholic drink is framed by a picture of THE DEVIL. Yes, THE DEVIL. Woah man, there's some sort of religious imagery going on here, some sort of subtle point being made, but I can't quite make it out. Shakespeare would be amazed at your brilliant metaphorical skills there.
Wanted: New Mum and DadI didn't watch this. But it was an advert for some show about orphans, with this little kid playing football by himself. Then he goes to the camera "Please adopt me, I'm bored of doing this on my own". Retard, get some friends. Loser. That advert made me want to make my OWN documentary, entitled
"I have a family and a stable home and parents who love me. Suck it, orphans." The entire show would be me having awesome fun. They could play it at orphanages, then at the end big red letters appear on the screen saying
THIS WILL NEVER HAPPEN TO YOU. NOW SIT DOWN, SHUT UP, AND EAT YOUR GRUEL, OR IT'S BACK INTO THE PIT WITH YOU.Austin Powers 3: Goldmember.Its not hard to describe this film. Just imagine the first one, except without any of the funny bits.
AuditionI don't quite think that I'm ready to talk about this film yet. I still can't quite conceive what the hell was going on, what the plot was, or whether I actually just had a really bad acid trip. I just don't know. Was the entire thing just one long dream sequence? Or a dream sequence within a dream sequence within a fantasy? Was it a nightmare? Is it an allegory for modern life? I don't know. But it all ends with one mother FUCKER of a nasty torture sequence, and features yet another 'most screwed character' - Japanese man has pissed off japanese woman, so she poisons his whiskey so he becomes paralysed. He wakes up and sees her standing over him, wearing thick rubber gloves and a thick apron, holding a bag full of needles and cheesewire. Yeesh.
Those crazy japs.
Scary? Yes. I wake up at night with my mind filled with terrible questions. Questions that I want no answers to. What the hell was up with the sack? What was she spraying at the son? Why does the son like dinosaurs so much? How did she figure out what was going on wtih the Audition? WHAT WAS UP WITH THE GUY IN THE WHEELCHAIR? HOW MUCH OF IT ACTUALLY HAPPENED?
Best bit? I don't think any of it was really 'best', to be honest. But the biggest jump was the scene in japanese lady's appartment when we first see the sack, next to the telephone. There's this random sack in her appartment, by the way. The moment I saw the sack, I said to myself "There's some guy in that sack, you know". THEN THE PHONE RINGS AND THE SACK JUMPS IN THE AIR AND I NEARLY HAD A HEART ATTACK!
Those crazy japs.
Body count: Only two, surprisingly. With a possibility of three if he bleeds to death.
The ProducersThis isn't a horror film. It's a MUSICAL. About some producers who want to exploit a legal loophole to make the worst show in history, so instead of just not hiring any actors and performing really badly themselves, they make a show about Hitler and fill the audience with Jews. Well, this was a HIGHLY sexy show and was actually rather epic. Unfortunately, my shit little brother decided that he'd get drunk the night before, so started threatening to throw up up mid-performance and fucked it up. He also vomited all over the theatre at the end of the show... twat. So if you go see The Producers in London, go sniff the carpet. That's my little brother's vomit, there.
Wallace and Gromit: The Curse of the Wererabbit.I saw this in Walton Cinema, which is possibly the shittiest cinema ever made. I think I drew a picture of it once. Oh yeah, here it is:

The cinema was nearly empty, but this dipshit old lady and her two loud grandchildren decided to sit next to me anyway. So I was quite glad when I realised that they were in the wrong film and were wasting their time and missing their actual film. I realised this ten minutes before they did. Did I tell them? No. I waited until our film started then cackled internally as they were forced to leave. Losers. Why did I do this? Because I'm filled with spite and a deep black rage, that's why.
This was a classic film. I especially liked the
Angry Boy reference (Check out the pictures on Wallace's wall... actually, fuck it, nobody knows who Angry Boy is anyway. Even I don't know. I just get the reference 'cos I'm great) as well as the King Kong/literary references.***
SPOILERAnd oh yeah, I am the king of narrative structure. Who realised that Wallace was the wererabbit before anybody else? Me, baby, me. The trick is to recognise the narrative tricks to HIDE the true secret, as opposed to the clues to reveal it. And I can do that. Easily. My mother and sister were like "OH MY GOD HE'S THE WERERABBIT!" and I was all "Shup, I knew that fifteen minutes ago, losers" and thats why I'm the best.
Scary? It's Wallace and Gromit. So no.
Best bit? All the risque adult/boob references. Melons... tee hee. AND THERE WAS A CHAINSAW.
Body count: Many many innocent vegetables.
So that's my countdown of the top 10 scary films to watch this Halloween. Except that four of those weren't scary films. And three of THOSE weren't films. And I didn't even watch one of the remaining few.And another thing... apparently the kid in H20 was actually played by Josh Harnett, not Ashton Kutcher. Well imagine that. Two people I would like to see knifed both playing the same character.And another thing... I don't care how you spell 'Micheal'. And yes, I knew that his mask was based on a Shatner mask. Originally, it was going to be a clown mask. A clue to this is in the first "Halloween" when, as a child, he kills his little sister wearing a clown mask: THE MORE YOU KNOW.And another thing... if anybody is sad enough to point out any other spelling errors, mistakes, then, well, I don't care and I hate you. Who the hell reads blogs for their grammatical/factual accuracy, anyway?*Homosexually, this is pronounced like 'guy'...'n', as opposed to 'gene', which I think sounds far cooler.
**I seem to be using a lot of pointless onomatopoeic words today that actually don't mean anything.
***Talking of literature, I won the year prize for English Literature this year. And a rather tasty £20 in book vouchers. I am THAT good, baby. Hail to the king.